Climax — Usher
One instrument per track, separated and named. Every part can be worked on its own.
Every instrument in the arrangement has its own MIDI track, named and assigned to its channel. You can mute, isolate, transpose or replace any part without touching the others.
Read from the file itself.
| No. | Instrument | Family | Channel | Notes |
|---|---|---|---|---|
| 2 | Bass | Bass | 2 | 208 |
| 3 | Piano | Piano | 3 | 620 |
| 4 | Reed | Reed | 4 | 84 |
| 5 | Ensemble | Ensemble | 5 | 28 |
| 6 | Synth Pad | Synth Pad | 6 | 80 |
| 7 | Synth Lead | Synth Lead | 7 | 27 |
| 8 | Bass | Bass | 8 | 4 |
| 9 | Synth Lead | Synth Lead | 9 | 104 |
| 10 | Drums | Drums | 10 | 252 |
| 11 | Ensemble | Ensemble | 11 | 35 |
Hear the bass alone, work the left hand, rehearse a brass passage.
To sing over it, or to have a pupil play the line.
Assign your own sounds track by track in your sequencer.
Engrave one musician's part rather than the whole score.
MIDI GM-0 puts every instrument on one track. Here each instrument has its own, named: you mute it, isolate it or replace it without touching the rest.
Yes. It is a type 1 Standard MIDI File, read by every sequencer, arranger and module. Keyboards play it like any MIDI file.
Yes, with no loss at all: this is not a recording. You can even do it track by track.
Yes, and often — two pianos, two guitars. Each track stays separate, with its own channel.
We transcribe it by ear, track by track, and deliver it as multitrack.
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